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| 1732 |
| | | With the performance of Esther Handel taps a rich new vein, the English oratorio | |
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| c. 1740 |
| | | Italian dramatist Carlo Goldoni makes a success of plays in the ancient commedia dell'arte tradition | |
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| 1741 |
| | | J.S. Bach publishes his set of Goldberg Variations, supposedly written for performance by the young harpsichordist Johann Gottlieb Goldberg | |
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| 1741 |
| | | Venice's new theatre, the Teatro Novissimo, has machinery which can change the scenes in the blink of an eye | |
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| 1744 |
| | | J.S. Bach publishes another set of 24 Preludes and Fugues, as an addition to his previous Well-Tempered Clavier | |
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| 1749 |
| | | Shortly before his death (in 1750) J.S. Bach completes his Mass in B Minor, worked on over many years | |
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| 1761 |
| | | Joseph Haydn enters the service of the Esterházy family, and stays with them for twenty-nine years | |
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| 1762 |
| | | Johann Sebastian Bach's youngest son, Johann Christian, moves to London and becomes known as the English Bach | |
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| 1762 |
| | | The intensely dramatic music of Gluck's Orfeo ed Eurydice introduces a much needed reform in the conventions of opera | |
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| 1762 |
| | | 6-year-old Wolfgang Amadeus Mozart plays for the Habsburg empress Maria Theresa | |
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